[U379.Ebook] Ebook Fascial Release for Structural Balance, by Thomas Myers, James Earls

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Fascial Release for Structural Balance, by Thomas Myers, James Earls

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Fascia, the soft tissue surrounding muscles, bones, and organs, plays a crucial role in supporting the body. By learning to intelligently manipulate it, a bodyworker or therapist can help clients with many chronic conditions, providing immediate pain relief as well as reducing ongoing aches and pains. In Fascial Release for Structural Balance, authors James Earls and Thomas Meyers—both respected bodywork professionals—argue that approaching the fascia requires “a different eye, a different touch, and tissue-specific techniques.” Designed for any bodywork practitioner using manual therapy, including physiotherapists, osteopaths, chiropractors, myofascial and trigger point therapists, and massage therapists, this book offers a detailed introduction to structural anatomy and fascial release therapy, including postural analysis, complete technique descriptions, and the art of proper assessment of a patient through “bodyreading.” Featuring 150 black-and-white photographs, Fascial Release for Structural Balance provides the information therapists need to give effective treatments and create long-lasting, systemic change in clients’ shape and structure.

• Sales Rank: #53648 in Books
• Brand: Brand: North Atlantic Books
• Published on: 2010-11-09
• Released on: 2010-11-09
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .56" w x 8.35" l, 2.17 pounds
• Binding: Paperback
• 288 pages

Features

• Used Book in Good Condition

Review
“What a great idea to combine James Earls’ expertise and philosophy with Tom
Myers’ classic contributions to structural bodywork. This is the long-awaited expansion of the Anatomy Trains theoretical concepts into a clearly written, functional ‘how to’ manual that is a must-read textbook for all bodyworkers of all ranges of experience – not just structural integrators.”
—Art Riggs, Certified Advanced Rolfer� and massage therapist, author of Deep
Tissue Massage: A Visual Guide to Therapy Techniques
�
“Fascial release has never been made more understandable and achievable – a
well illustrated and excellent read.”
—Leon Chaitow, ND, DO, Honorary Fellow, University of Westminster, London
Editor-in-Chief, Journal of Bodywork & Movement Therapies
�
“This book is a thorough and refreshing approach to regional fascial release
technique.”
—Erik Dalton, PhD, author of Myoskeletal Alignment Techniques�
�
“With a wonderful blend of art and science, this text brings together many
aspects of structural change grounded in anatomical precision. It lets you
see the relationships surrounding the body and how they link to produce the
various patterns you will see in your clients, equally importantly, it gives
you the strategies to address them.”
—Robert Schleip, PhD, MA, Director of Fascia Research Project, Institute of
Applied Physiology, Ulm University. Research Director of the European
Rolfing Association

About the Author
James Earls is the director of Ultimate Massage and Kinesis UK. He practices Structural Integration and massage therapy in Belfast, Northern Ireland, where he lives.

Thomas Myers has practiced integrative structural therapy for over 30 years in a variety of clinical and cultural settings. The author of the acclaimed bodywork guide Anatomy Trains and coauthor of The Concise Book of the Moving Body, he lives in Maine.

Most helpful customer reviews

82 of 86 people found the following review helpful.
Fascial Release for Structural Balance--Earls and Myers
By Arthur Riggs
Although I commented on this book above in the critical reviews, I feel that it is appropriate to heap some more praise in a more informal and reader-oriented venue. The more I read (and re-read) the book, the more impressed I am at the eclectic combination of two great minds and bodyworkers. James and Tom do a fine symbiotic dance that exponentially expands their individual skills. My biggest concern is that only people who do structural integration will pick up this book to reap its benefits. "Fascial Release for Structural Balance" will be of great benefit to the beginning therapist specializing in relaxation work as well; it will open whole new vistas, not just with specific techniques, but more importantly, with enlightening one's deeper understanding of the human body that will improve the work in the whole range of manual therapies.

Art Riggs, Certified Advanced Rolfer�

34 of 35 people found the following review helpful.
Great book on Structural Integration
By Athenia
These highly effective techniques are presented in an easy to understand format, with clear pictures. There is also a brief overview of the Anatomy Trains to supplement the techniques and help build efficient plans for clients with different postural compensation patterns. This is one of the best massage books I have ever read!

46 of 50 people found the following review helpful.
Very helpful
By Joshua Oliphant, LMP
I got this book about a month ago and it has already changed the way I massage in a significant way. My ability to BodyRead clients' posture has improved, even though I have read Anatomy Trains already. I never felt that I was that great with Fascial release techniques, but now I have been using them with everyone and it has been working very well.

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[E525.Ebook] PDF Ebook Spectickles Volume I: A Collection of the Syndicated Cartoon "Spectickles"

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• Sales Rank: #2037050 in eBooks
• Published on: 2015-11-24
• Released on: 2015-11-24
• Format: Kindle eBook

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0 of 1 people found the following review helpful.
Love!
By R. Petty
Funniest cartoon to come along in years! Please make more books and a desk calendar would be awesome too! Love it!

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[L701.Ebook] Ebook Download The SAGE Handbook of Gender and CommunicationFrom SAGE Publications, Inc

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The SAGE Handbook of Gender and Communication is a vital resource for those seeking to explore the complex interactions of gender and communication. Editors Bonnie J. Dow and Julia T. Wood, together with an illustrious group of contributors, review and evaluate the state of the gender and communication field through the discussion of existing theories and research, as well as through identification of important directions for future scholarship. The first of its kind, this Handbook examines the primary contexts in which gender and communication are shaped, reflected, and expressed: interpersonal, organizational, rhetoric, media, and intercultural/global.

• Sales Rank: #1322478 in Books
• Published on: 2006-07-19
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.12" h x 1.19" w x 7.28" l, 2.28 pounds
• Binding: Hardcover
• 504 pages

Review
"Recommended." (L.P. Speer 2007-07-16)

About the Author
Bonnie Dow (Ph.D., University of Minnesota) is Associate Professor of Speech Communication at the University of Georgia. She is the author of Prime-Time Feminism: Television, Media Culture, and the Women’s Movement Since 1970 (1996). She is former co-editor (with Celeste Condit) of Women’s Studies in Communication and former co-editor (with Celeste Condit) of Critical Studies in Media Communication. �

Julia T. Wood (Ph.D., Pennsylvania State University) is Professor of Communication Studies and Lineberger Distinguished Professor of Humanities at the University of North Carolina at Chapel Hill. She teaches and conducts research on personal relationships, intimate partner violence, feminist theory, and the intersections of gender, communication, and culture. She has authored or edited 23 books, including Who Cares?: Women, Care and Culture, and Gendered Lives, now in its 7th edition. In addition, she has published more than 70 articles and book chapters. During her career she has received 12 awards for scholarship and 11 for teaching.

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[X962.Ebook] Ebook Filmmakers and Financing: Business Plans for Independents (American Film Market Presents), by Louise Levison

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The first, most crucial step in making a film is finding the funds to do it. This unique guide bridges the gap between the filmmaker and the business by teaching you how to create a business plan that can be presented to a potential investor. In clear, jargon-free terms, the author leads you through every step. Each chapter concentrates on a different section of the business plan, with supplementary exercises on the CD workbook.

The fourth edition contains completely revised and updated industry data, along with a new CD workbook for hands-on practice.

• Sales Rank: #4482043 in Books
• Published on: 2003-12-05
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 6.00" w x .75" l,
• Binding: Paperback
• 227 pages

Review
"Thank you so much for all your help from the business plan to the emails and introductions. You have helped this film become what it is today." Robin Cowie, Producer, The Blair Witch Project

"Levison's book gives filmmakers an inspiring and coherent merger of plain English, film lingo, and traditional business-speak. It helped me create a straightforward and thorough business plan that ultimately raised $2 million for my new project." --- Stu Pollard, Producer/Director,
Keep Your Distance

"Buying this book is the first step to becoming a successful, independent filmmaker. It helped me launch my company."
- Rick Pamplin, The Pamplin film Company

"If Louise Levison's Filmmakers & Financing were only about business plans it would be worth more than its cover price. In addition, Levison gives sage, savvy and clear introductions to every important aspect of film business - marketing, distribution, varieties of investors, financing options - it's all here, including a sample business plan. This book is a "must have" for any filmmaker's
bookshelf." --Morrie Warshawski, Consultant, and author of Shaking the Money Tree: How to Get Grants and Donations for Film and Video-2nd Edition

"A 'must have' educational and reference tool to help you conquer current industry practices regarding finance, production and distribution. Louise has consistently delivered a plethora of information that is easy for a beginning filmmaker to understand, while at the same time very useful to the entertainment veteran. No filmmaker's library would be complete without it. -J. David Williams, Distributor, Shiloh and The Omega Code

"Need money for a movie? Here's the road map every indie filmmaker needs to find it. It worked for me!" -Paul Sirmons, Director/Producer, The First of May and Forevermore Films

"Even if you only wrote the script, this is a real important book to read. It will help you understand the market in terms of how independent film companies structure deals with screenwriters. And if you just aren't finding a market for your script and have considered making the film yourself, Levison's book is one of the best places to start if you want to find out what you are up against in terms of the kind of dollars you will need, where and how to get them, and the best strategy for getting your hands on the dough. To paraphrase the perennial Passover question: Why is this film financing book different than all other film financing books? It's pretty simple. No one tackles the dilemma of screenwriters who design to turn their script into independent features as succinctly and logically as Levison does. If you want to make an independent feature you need money, which means you need a business plan, which means you need Levison. Project outlines, industry overview, marketing, sample business plans, distribution, financial planning, loans and partnerships are all included. There is even a nifty CD-ROM supplement that comes with the book."
- Jeffrey M. Freedman, Script Magazine

From the Publisher
Each chapter concentrates on a specific section of the business plan, such as the executive summary, industry, market, distribution financial planning, etc. A sample business plan provides readers with a reference as they write their own plans. This book provides information needed for approaching potential investors, including: defining goals and objectives, describing proposed films, researching markets and distribution systems, developing complete financial projections, applying the plan to the management of one's company.

The third edition includes a new chapter on the growing use of the internet as an outlet for film.

About the Author
Levison is President of Business Strategies (www.moviemoney.com), a consulting firm in Sherman Oaks, California, specializing in business plan packaging and venture capital financing. Ms. Levison is a visiting lecturer in the Department of Entertainment Studies of the Extension Program at UCLA and is publisher and editor of The Film Entrepreneur newsletter. She regularly conducts workshops on financing for organizations and at film festivals. Levison holds an M.B.A. in finance.
Levison is President of Business Strategies (www.moviemoney.com), a consulting firm in Sherman Oaks, California, specializing in business plan packaging and venture capital financing. Ms. Levison is a visiting lecturer in the Department of Entertainment Studies of the Extension Program at UCLA and is publisher and editor of The Film Entrepreneur newsletter. She regularly conducts workshops on financing for organizations and at film festivals. Levison holds an M.B.A. in finance.

Most helpful customer reviews

1 of 1 people found the following review helpful.
THE WORSE BOOK I'VE READ ABOUT BUSINESS PLAN IN A DECADE !!!!! DO NOT WASTE YOUR MONEY
By Amazon Customer
It should deserve no star at all. Boring, terribly written. Louise Levison repeats herself on and on, she drags you on... and on, with useless and distracting examples, constantly highlights oblivious facts by using fear and disproportions. it's just filled up with clich�, and it clearly a hardcore conservatism bias. Basically, if you have NO IDEA how a movie is produced, and how finance function, you may then want to know more, and will find this book horribly boring and repetitive, but you may learn a few useless things as well that may give you the summary of what a business plan. Because that is all a business plan, a summary, which you fill with your own plan. This book will not help anyone rise funds. I regret spending money and time reading this crap.

The book is empty. It's void. It could be summed up in 5 pages. It's a dishonest and deceptive attempt at taking money from readers.

0 of 0 people found the following review helpful.
The Absolute Authority On Film Financing
By C. Tovar
BUY THIS BOOK. If you are an independent filmmaker and want to learn about film financing from a truly accomplished expert, then by all means, purchase this book and every new edition that comes out.

Louise is a fantastic mentor and her book has become a mainstay... I had the opportunity to attend two workshops featuring her, as well as a private consultation and she is definitely an experienced, grounded voice in the field of film finance.

Her book clearly lays out everything you need to know about writing a business plan for your independent feature film and it provides clear examples and reasoning for why things are done the way they're done.

By all means, this is a MUST-READ for every independent director, producer and filmmaker.

6 of 6 people found the following review helpful.
better than basic/could be more specific
By film book reader
"Filmmakers and Financing..." is pretty good at helping you piece together a business plan for making a film (or creating a production company) and is better than a lot of the material on the web related to general business plans because it deals with issues specific to films and the filmmaking business. On the other hand, another reviewer has suggested that the book wasn't specific enough and that the example "fictional" business plan didn't seem to have enough substance. I agree with that comment. The author, who helped the "The Blair Witch Project" folks with their business plan, could have suggested some real-life examples (tough to walk the fine line drawn by naturally protected "proprietary information"). It's nice to see what a multi-million dollar production company business might look like, but I have to say that if I'm going to handle that kind of money, I'm probably going to retain a consultant to help prepare my business plan--maybe even the author! It's a good review of things you should know. Glad I read it. I think I'll pass it along to the next person.

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He has been out there somewhere for a while now, a poet at large in America.
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Simon Ortiz, one of our finest living poets, has been a witness, participant, and observer of interactions between the Euro-American cultural world and that of his Native American people for many years. In this collection of haunting new work, he confronts moments and instances of his personal past—and finds redemption in the wellspring of his culture.
�
A writer known for deeply personal poetry, Ortiz has produced perhaps his most personal work to date. In a collage of journal entries, free-verse poems, and renderings of poems in the Acoma language, he draws on life experiences over the past ten years—recalling time spent in academic conferences and writers' colonies, jails and detox centers—to convey something of the personal and cultural history of dislocation. As an American Indian artist living at times on the margins of mainstream culture, Ortiz has much to tell about the trials of alcoholism, poverty, displacement. But in the telling he affirms the strength of Native culture even under the most adverse conditions and confirms the sustaining power of Native beliefs and connections: "With our hands, we know the sacred earth. / With our spirits, we know the sacred sky."
�
Like many of his fellow Native Americans, Ortiz has been "out there somewhere"—Portland and San Francisco, Freiburg, Germany, and Martinique—away from his original homeland, culture, and community. Yet, as these works show, he continues to be absolutely connected socially and culturally to Native identity: "We insist that we as human cultural beings must always have this connection," he writes, "because it is the way we maintain a Native sense of existence." Drawing on this storehouse of places, times, and events, Out There Somewhere is a rich fusion taking readers into the heart and soul of one of today's most exciting and original American poets.

• Sales Rank: #1161648 in Books
• Brand: Brand: University of Arizona Press
• Published on: 2002-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .50" w x 6.13" l, .56 pounds
• Binding: Paperback
• 172 pages

Features

• Used Book in Good Condition

From Publishers Weekly
Combining Native American history, personal confession and social critique in a clear, conversational style, Ortiz tends to avoid metaphor and elaborate language or fixed poetic structures. The first of five sections centers on time spent in diverse institutions: the academy, writers' colonies, various academic conferences, jail and detox centers. In "Headlands Journal," an essay that mixes poetry and prose, Ortiz begins with a meditation on Native populations in prison, moves to tell a story about three visiting Chinese artists and then by the end of the essay addresses his anger when someone calls the Acoma Pueblo language "foreign." The series "What Indians?," written for the Venice Biennale, addresses with humor and anger the control that the dominant culture has over Native American self-representation: "Real or unreal. Real and or unreal. They were made up. It didn't matter." Those who turn to Ortiz's work for its mixture of insightful, no-nonsense political analysis and poetry rooted in Acoma culture will be more interested in the last three sections of the book. There are numerous poems about the importance of the land and of the continuing struggle to regain the land, such as "Telling and Showing Her" and "Acoma Poems," printed in both the Acoma Pueblo language and English. If, as in poems like "Beauty All Around: A Moment on the Lakota Prairie," Ortiz moves too easily from the sunset ("beauty all around me") to a series of questions about cultural appropriation, this book still asks crucial questions as much as it argues for beauty. (Mar. 14)
Copyright 2002 Reed Business Information, Inc.

From Booklist
"I don't want a lot. Just enough," writes Ortiz, and what he wants, what his poems ask for, is respect for Native Americans and inclusion within mainstream society. He longs for justice for his people and for everyone. He wants all children to be loved and raised to love others. He wants everyone to appreciate the earth's splendor. The much-awarded author of many books of poetry and the magnificent short story collection, Men on the Moon (1999), Ortiz expresses anger and despair in poems that nonetheless are permeated by gentleness and in which silence is every bit as eloquent as words. His meticulous use of repetition and rhythm ensure that the reader feels the pulse of his words and therefore understands them with more than mere intellect. Given the displacement and marginalization of Native Americans, Ortiz explains, he writes in perpetual exile, and, indeed, as he moves from sharp social critique to lyric metaphysical reflections, from lament to prayer, he is searching for home, for peace, for a better future. Donna Seaman
Copyright � American Library Association. All rights reserved

Review
"Ortiz expresses anger and despair in poems that nonetheless are permeated by gentleness and in which silence is every bit as eloquent as words. His meticulous use of repetition and rhythm ensures that the reader feels the pulse of his words and therefore understands them with more than mere intellect." —Booklist

"Combining Native American history, personal confession and social critique in a clear, conversational style . . . insightful, no-nonsense political analysis and poetry rooted in Acoma culture . . . asks crucial questions as much as it argues for beauty." —Publishers Weekly

"Although his words often seem innocent, the observations he makes could only come from one who has known the harshness of the experience. . . . This work ultimately shows us those moments of heightened awareness in which we finally know why we say yes to the private journeys we take through our various geographies and landscapes." —Southwest Book Views

"An accomplished veteran poet at the height of his powers. . . . Ortiz's extraordinary command of his material and authority of voice makes Out There Somewhere a major work. His personal engagement with a state of exile in the larger culture, of being Acoma, is compelling and energetic." —MultiCultural Review

"As always, Ortiz's work is beautiful, profound in its simplicity and sincerity." —North American Review

Most helpful customer reviews

10 of 10 people found the following review helpful.
Secret Pleasures
By Mick McAllister
The "stars" of American Indian literature--James Welch, Leslie Silko, Scott Momaday--are only the beautiful surface of the genre. Dive deeper, and you will find treasures like Peter Blue Cloud, Ray Young Bear, Anita Endrezze, and the incomparable Simon J. Ortiz.
Ortiz writes with a brilliance and clarity all Americans could aspire to, and this little collection of pieces, modulating from the grim depths of alcoholism and prison to the open spaces filled with joyful children, is representative of his work. His meditation on a sparrow's nest is worth the cover charge, discussion of the place of English in the mind of the Indian artist ("Beauty All Around") is a model of deeply felt exposition, and the cycle of poems on whether Indians exist is both witty and tragic.
Taste the best, a literary flavor perhaps too exotic for the general reader, but worth the adventure. This is a writer to remember and return to.

0 of 0 people found the following review helpful.
5/5 Stars, and here's my goodreads review
By Michelle Boyer
Simon Ortiz remains one of the most well-known American Indian (Acoma Pueblo) poets living today. He began writing during the American Indian Literary Renaissance and is quite prolific. His poetry weaves real-life events, oral stories, history, and Pueblo culture together, creating experiences that allow both Native and non-Native readers insights into Ortiz's world.

Out There Somewhere is divided into six parts. Part I (Margins) contains numerous politically driven statements that discuss colonization and post-colonization effects on Native peoples. Many of the poems are also written as if they are journal entries, and several reveal personal past experiences that Ortiz himself faced. This includes instances where individuals call the Pueblo language "foreign"--which of course it cannot be, as it is a language that is Indigenous to the North Americas and is not "foreign."

Part II (Images) deals with self-identity issues. I believe that one of the strongest poems in the entire book--"What Indians?"--is found in this section. This poem discusses the way in which colonized peoples are often forced into a certain identity by those that have colonized them. The poem states:

Like other colonized Indigenous peoples, cultures, and communities throughout the world, Native Americans have experienced and endured identities imposed upon them by colonial powers, most of which originated in Europe. This imposition as resulted to a great extent--more than we admit and realize--in the loss of a sense of a centered human self and the weakening and loss of Indigenous cultural identity.

Part III (Gifts) delves into small daily gifts that people have in their lives. This includes family for many. For Ortiz, he also counts a special garden that he and his family tend. Part IV (Horizons) includes several key poems that discuss knowledge, especially Pueblo language, and how it can be used. This section includes the "Acoma Poems" which are written entirely in Acoma Pueblo language--a special treat!--and they are then translated. I find it quite significant to see Indigenous authors writing in their own language; this section is beautifully written. Part V (Ever) includes several pieces that deal with ceremonies and Part VI (Connections After All) has some wonderful poems that are to be read more like songs.

Overall, all of these poems leave an impression on the reader. Ortiz masterfully uses different types of poems to relay information to the reader, sharing with us what it means to be Acoma Pueblo, Native, American, and a human. The imagery is fascinating and poems like "What Indians?" will leave you reflecting. Highly recommended!

0 of 0 people found the following review helpful.
Five Stars
By Vickster
required school

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