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The Werewolf Principle A New Science Fiction Novel, by Clifford D. Simak, Jacket
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- Sales Rank: #4211088 in Books
- Published on: 1966
- Binding: Hardcover
Most helpful customer reviews
6 of 6 people found the following review helpful.
Interrupted Rhythm
By Paul Camp
There is a kind of rhythm to the dialogue in a Clifford D. Simak story. Lines of dialogue are frequently interrupted by forms of "he/she said" and then continued. Here is a sampling of dialogue from _The Werewolf Principle_ (1967) between the hero (on a fishing trip) and a Brownie:
[The creature's] snout twitched. "Would you, perhaps," it asked in its squeaking voice, "have food inside that basket?"
"Why, yes," said Blake. "I take it that you are hungry."
It was absurd, of course. In just a little while-- in another minute, if not less-- this illustration from a children's book would go away and he could get on with his fishing.
"I'm starving," said the illustration. "The people who usually set out food for me have gone on a vacation. I've been scrounging ever since. Have you, perhaps, sometime in your life, tried scrounging for food?"
"I don't think," said Blake, "that I ever have". (40)
Here is a similar pattern of dialogue between Blake and a talking Diner:
"How are you?" asked the Diner. The voice was that of a brassy, wise-cracking waitress. "What will it be this morning?"
Blake looked around, seeing no one, then realized the situation. Another robotic installation, like the flying houses.
He went across the floor and sat down on one of the stools.
"Cakes," he said, "and some bacon. And coffee."
He let the knapsack slip off his shoulder and lowered it to the floor beside the stool.
"Out early, aren't you?" asked the Diner. "Don't tell me you have walked all night."
"Not all night," said Blake. "Up early, that is all."
"Don't see many of you fellows anymore," the Diner said. "What is your racket, friend?"
"I do a little writing," said Blake. "At least, I try to do it." (109-110)
Of course, Simak is much too crafty a writer to use this pattern of dialogue all the time. He can be terse and snappy when he needs to be. There is even one chapter in the form of dialogue from a Senate hearing. But Simak uses that broken, rhythmic pattern of dialogue a lot in novel after novel, story after story. And he uses a similar style when dealing with mental thought patterns:
It could not stay here, it told itself. It could not wander endlessly. It must find a place to shelter.
...
The lights? it wondered. Should it investigate the lights or should it... (7)
The style in _Werewolf_, laced with phrases like "of course" and "perhaps," loans itself to a slow, easy pace and a sense of Simak's brotherhood of all creatures. The story is one of Simak's better novels. We have a hero rescued from suspended animation whom we can be _pretty_ damned well sure is more than he seems to be, a political battle in Washington over the use of genetic engineering to colonize the stars (opposed by fundamentalists and social conservatives), and a 200 year old project called the werewolf project that apparently went askew. There is also a future world of computerized homes, giant flying freighters, alien brownies, wandering scholars, and antigravity devices. Read this one for the basic story. But read this one for the style as well.
20 of 21 people found the following review helpful.
One host mind- many resident alien personalities...
By OAKSHAMAN
I find it remarkable that Simak was writing about genetic engineering in 1967. He even nailed the fact that religious and social conservatives would be up in arms over the issue.
Set some five hundred years into the future, mankind has been exploring space for centuries. Yet, remarkably few of the new worlds that have been discovered are suitable for human life. In fact, only the terrible expensive and time-consuming process of terra forming can make more worlds livable for man.
However, genetic engineers have come up with a program to adapt man to fit an alien environment and not vice versa. Humans could be genetically altered to exist under hostile conditions of intolerable gravity, heat, cold, or toxic atmospheres. While they might not look strictly human in the traditional sense, inside they would still think and feel as any other human being might.
Reactionary elements, however, held that this would be unnatural and the results would not be human as much they would be abominations and monsters.
What neither side initially knew was that this experiment had been tried two centuries before- and abandoned. At that time an even more radical experiment had been attempted. Instead of adapting one strain of man to a single hostile environment, a synthetic man (an android) would be developed with an open-ended genetic structure that would be able to mimic the form, and the mind, of any alien life form. It was thought that this would be the perfect tool to infiltrate and study any alien culture. It was also thought that such an open-ended synthetic man could be reused on many different planets. What the bio-engineers didn't realize was that every time such a being took on the form of an alien he would also take on its mind- permanently. This meant that over time many different, individual, alien personalities would share the same brain- a sort of ultimate schizophrenic. Not only that, but these different alien personalities would be able to intercommunicate and cooperate. Plus, at any moment, they could take on their original form once again. That was why the original breakthrough had been termed the "Werewolf Principle."
Now, after 200 years of being frozen in deep space, the last surviving experimental "werewolf" has been found and returned to earth. Yet neither he, nor his rescuers know who or what he truly is. Not only that, but the two alien personalities melded with the original synthetic are a psychic wolf-thing that can even talk to the stars, and a chameleon-like biological computer of near infinite intellect.
The debate over genetic engineering is about to get very interesting....
3 of 3 people found the following review helpful.
Intriguing Vision of the Future
By Amazon Customer
The Werewolf Principle was the first Simak novel I read, and it grabbed me right away. The image of the future he painted in this novel, while anachronistic in many ways, was still very compelling and just strange enough to seem real. The characterization was somewhat bland, but that's a usual Simak style choice and you learn to like it if you like Simak.
Just the little things, like the wardrobe choices of the society in the novel, or the sentient AI houses were sources of immense wonder to me when I read this as a teenager in the late 70s/early 80s and to some extent they still are. It's a wonderful visionary SF novel that still works.
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